Helmed by Portishead co-founder the musician-producer, this sharp-edged though undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving drug user David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David kills his dog. Nevertheless, a darkly funny standoff takes hold – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it results in a comically executed rampage on the forest trails that dips close to folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film releases in British and Irish theaters from 17 November.
